Olivier Assayas’ Ghost Story PERSONAL SHOPPER is a Pale Imitation of Previous Triumphs

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Kristen Stewart as Maureen Cartwright in Olivier Assayas’s PERSONAL SHOPPER. Photo by Carole Bethuel. Courtesy of IFC Films. An IFC Films release.

Kristen Stewart’s characters in Olivier Assayas films tend to keep friends, family, and colleagues at a distance while doggedly pursuing an agenda. She continues this trend established in 2015’s “The Clouds of Sils Maria” into their most recent collaboration “Personal Shopper”. Another film in the former film critic’s oeuvre making a statement about the way people produce and consume media, “Personal Shopper” attempts to use its bully pulpit to rail against the impulse to mediate experience but fails through its reliance on clumsily executed set pieces.

Stewart’s Maureen and her twin Lewis are mediums, communicating with the dead. After her twin’s passing, Maureen remains in Paris to attempt post-mortal contact. In the meantime, she works an unfulfilling job for a demanding boss (Nora von Waldstätten) as a fashion buyer. Like most Stewart characters, her inner conflict manifests itself through a twitchy restlessness tightly packed into the actress’ small frame, which is gaunt, hunched, and wrapped in a leather jacket throughout most of the film. Stewart’s performance perfectly portrays someone more comfortable exploring a land of spirits than making her way in the land of the living. Read more