New Directors/New Films Review: PENDULAR

Pendular. 2017. Brazil/ Argentina/ France. Directed by Julia Murat. Courtesy of Still Moving.

Pendular. 2017. Brazil/ Argentina/ France. Directed by Julia Murat. Courtesy of Still Moving.

A dilapidated industrial space in Rio de Janeiro houses buckets, tables, carts, and more strewn between its pillars, white on top and green on bottom. A wooden, asymmetrical sculpture sits at the center of the frame. From the camera’s perspective, it appears to be a plank cutting through the center of a cube. Within seconds, we will witness another bisection. We hear it before we see it; the sound of tearing tape leads to a man and a woman working their way across the room with orange tape. He peels it, and she stamps it into the ground. Once the task is complete, they run back and forth across the line in an impromptu game of tape ball soccer.

This opening to Júlia Murat’s relationship drama “Pendular” —executed in one static shot— sets the stage for a film where its titular couple creates boundaries and transgresses them constantly. Ele (‘he’ in Portuguese) is a sculptor working in wood as well as industrial materials like wire and aluminum; Ela (‘she’) is modern dancer whose work veers into the abstract. The tape demarcates an area for each artist’s studio. Read more