New Directors/New Films Review: STRONG ISLAND

Photo credit: 8SP - Simon Luethi © 2016

Photo credit: 8SP – Simon Luethi © 2016

A simple disagreement with a mechanic about fixing his girlfriend’s car led to the shooting death of William Ford Jr. on April 7, 1992. After the Suffolk County District Attorney’s office on New York’s Long Island showed more interest in investigating the African American victim than the white defendant, a grand jury declined to indict. William Ford was treated like another black body destroyed and discarded by a prejudiced justice system.

Screening as a part of New Directors/New Films, “Strong Island” —a documentary from William’s sibling Yance Ford— explores the circumstances surrounding the terrible evening. In an attempt to put some attention on his brother’s story, Yance lenses his own black body in ways that brings William’s murder back into focus.
 
Yance’s face —round with a small scar stemming from the left side of the bottom lip— often faces the camera in a close-up. The background is dark black, and little below the director’s chin is visible, isolating his face in the frame. This stance is confrontational, setting the tone for a story seeking to challenge an authoritative account of events. In a statement at the start of the film that gives us a pretty solid understanding of what’s to come, Yance lets the audience know, “If you’re uncomfortable with me asking these questions, you should probably get up and go.”

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