Ep 444: Ira Deutchman

Episode 444 includes an hour-long conversation with the indie film pioneer, Ira Deutchman. Deutchman has been making, marketing and distributing films since 1975, having worked on over 150 films including some of the most successful independent films of all time.

Episode 444 includes an hour-long conversation with the indie film pioneer, Ira Deutchman. Deutchman has been making, marketing and distributing films since 1975, having worked on over 150 films including some of the most successful independent films of all time.

Episode 444 includes an hour-long conversation with the indie film pioneer, Ira Deutchman. Deutchman has been making, marketing and distributing films since 1975, having worked on over 150 films including some of the most successful independent films of all time. He was one of the founders of Cinecom and later created Fine Line Features—two companies that were created from scratch and, in their respective times, helped define the independent film business. He was also a co-founder of Emerging Pictures, the first digital projection network in the United States and a pioneer in delivering live cultural events into movie theaters.

Currently Deutchman is an independent producer, and a consultant in marketing and distribution of independent films. Among his clients are Istituto Luce Cinecitta, for which he promotes Italian cinema in the U.S. He is also a Professor of Professional Practice in the School of the Arts at Columbia University, where we sat for this conversation.

Among the over 60 films he acquired and released at Fine Line were Jane Campion’s “An Angel at My Table,” Gus van Sant’s “My Own Private Idaho,” Jim Jarmusch’s “Night on Earth,” Robert Altman’s “The Player” and “Short Cuts,” Roman Polanski’s “Bitter Moon” and “Death and the Maiden,” Alan Rudolph’s “Mrs. Parker and the Vicious Circle,” Mike Leigh’s “Naked,” and the award-winning “Hoop Dreams,” which in its time was the highest grossing non-music documentary in history.